The size of the camera body is surprising its smaller than you might think but this version includes in the base package both of the upgrade packs available for the original FS5. To extend recording time and workflow flexibility, the FS5 is equipped with two SDXC/SDHC card slots. Like we do with every camera that comes through the Videomaker Labs, we tested the FS5 IIs low light performance, rolling shutter effect and moir. The Sony FS5 II is no revolution from the prior version, however, its still one hell of a camera. The XLR inputs are located on the handle, so if you remove the handle you will lose those inputs. Should you purchase the Canon EOS R8 for video? As a comparison to the FX6, the FX9 utilizes a 35.7 x 18.8 mm full-frame sensor. We were especially happy with the weight of the camera. In theory, the rolling shutter performance should be better than that of the FX9 and on par with the a7S III. Even though you might think that the FX6 is an FS5 M2 replacement, Sony will tell you that it is not. The FX6 looks to be an affordable workhorse camera for professional users who are shooting news, events, documentaries, and corporate productions. For our review, we shotmostly on the Sony G-Master 24-70mm f2.8 lens. The location offered many beautiful shooting situations. However, if you have the storage space and the workflow to support shooting in 10-bit, its a very nice luxury to have. It will pick up room noise. Although in saying that, with a lot of people using speedboosters on S35 Sony E-mount cameras there is clearly a demand for the full-frame esthetic. Ive worked with the Sony FS7 a bunch, but I dont think Ive worked with the Sony fs5 before. A camera with fewer high-end options and a lower price tag might fit the bill a lot better. Whether or not people shooting news, events, documentaries, and corporate productions actually want full-frame is debatable. Sony has officially unveiled the FX6, the third camera in its new Cinema Line. You could make arguments that any of these cameras are a better choice. When I asked Sony directly if the FX6 was using the same sensor as the a7S III, the response I got was- The sensors in both cameras utilize the same technology.. Battery and media included, the Shogun Inferno adds 2.4lbs to the rigs weight. With this system, you can also do things like adjusting the depth of field in real-time as the variable ND will compensate automatically when you make changes to the f-stop. Careful weight distribution and an ergonomic smart grip enable you to comfortably shoot from any angle. All of these competing options have their own strengths and weaknesses. Given its feature set and capabilities, there really isnt any reason why it couldnt be used by anyone for anything. The FX6 can capture 4K DCI at up to 59.94P in 4:2:2 10-bit XAVC Intra (Class 300). A native ISO that high is a big bummer. We feel that the Sony PXW-FS5 has great build quality, image quality and value compared to its competition. Its our most affordable Super 35-mm camcorder, but its fully upgradeable. All the configurations you posted above notably dont include using input 2, where your mic is plugged in.This assumes youve got something else, like a shotgun mic, in channel 1. Compared to these two cameras in this price range, the FS5 is a greater value and offers very few weaknesses when compared to both the C-100 Mark II and URSA Mini 4.6k. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. He is the Editor of Newsshooter.com and has been writing on the site since 2010. Even though the FX6 only has two physical audio control dials on the body, it is still capable of recording up to four channels of audio. Sony is very much pushing the FX6 as being a lightweight, compact mobile production camera that can be used by solo operators. Thats a lot of light to compensate for. Media Card Slots: 1 x MS/SD (dual Memory Stick/SD) *S&Q 1-60fps and 100/120/200/240fps are available in these modes. It captures 10-bit video internally and offers 5.7K RAW out its SDI. According to Sony, not many users were actively utilizing the rear EVF so they decided to get rid of it. Above you can see how much higher up it is positioned when compared to the FX9. The adapter also gives you the additional controls for those two channels of audio. When the FS5 originally came out 5 years ago it didnt really have any competition. They are there just to tease. By doubling the ISO, we are able to see the performance at every stop. Solid-state memory camcorder firmware update ver. Starting with slow pans going up to whip pans, the camera has some rolling shutter but not enough to be concerned about. I can still not comprehend why Sony requires FX9 users to use theXDCA-FX9extension ($2,495 USD) kit to output 16bit RAW so that can be captured to a compatible external recorder. Everything above ISO 4,000 needs some noise reduction and everything above ISO 8,000 is not salvageable. Add $1,300 to account for the cost of a Shogun Inferno to the FS5 IIs base cost of$4,750, and thats a total of $6,050 to get 10-bit video. With the end trigger recording, you can tell the camera when to end the shot and it will record the few seconds before that. Use the condenser microphone included in the camera kit (side pocket of the bag). The work around hack is to send timecode signal at mic level instead, to an audio track: The larger screen is nice, but not always necessary. Lets compare the two (at least on paper). This is the same technology that has made its way over from Sonys Alpha series mirrorless cameras. The FX6 falls clearly into that under $10K category. The Sony PXW-FS5 features an E-Mount, a 4K Super 35 Exmor Sensor, Smart Grip handle, EVF and LCD panel. 111.3 x 128.7 x 172.4 mm (Body only including the projecting parts), Power Requirements DC 14.4 V (battery pack), With battery pack BP-U90: approx. Before we get into our experience with the FS5, lets rundown some of the noteworthy specs. and our The nice thing about this camera is that it doesnt require overly-expensive media. I was wondering if anyone on this forum might assist me resolve this issue. If you wanted an a7S III with electronic variable ND, SDI, XLR inputs, and a more video-centric form factor, then thats exactly what Sony has given you. Along with timecode you also get a 12G/6G/3G SDI output and a full-sized HDMI output. It made the footage look great and got rid of the little noise we experienced. We most definitely recommend it if youre in the market and it fits your needs. The electronic ND filter is the same as the one first offered in the FS5. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design Odyssey 7Q. 4K resolution: 11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution. The grip is wonderful to use. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. This makes absolutely no sense and if I was an FX9 owner I would probably be upset about this. The Sony FX6 is very similar in some respects to the competition but different in others. It was just too touchy. Because its light enough, neither angle is a chore to shoot. LCD Monitor: 3.5 / 8.8 cm However, those added inclusions and functionality will cost you $2500 USD more than if you buy an a7S III. Because of the cost, we would most definitely label the ideal users of the FS5 as professional. Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another. From all reports the UHD 120p is very good on the a7S III, so it fairly safe to assume that the same will be true with the FX6. 4 channels of audio? at DVinfo.net It looks very similar in a lot of ways, however, you will notice that there is no longer an EVF on the back. In addition to the seven standard picture profiles, the FS5 II has two flavors of log: S-log2 and S-log3. The FS5 II has great slow-motion frame rates with the option to shoot up to 960 frames per second internally. All of these cameras offer different features and functionality. This did not work. Key Features 1920 x 1080 Touchscreen Display HDMI 2.0 Input/Output, AtomOS 10 Record up to 8K30 ProRes RAW 1000 cd/m Brightness Show More If you're shooting with an 8K camera, then why not record in 8K raw format using the Ninja V+ 5.2" 8K HDMI H.265 Raw Recording Monitor from Atomos. Weight Body Only: 29.2 oz / 827.8 g Walking around with the camera, we shot buildings, the water, onlookers and cars in traffic. It just clicks in no tightening needed. To appease FX9 owners, Sony could possibly enable a 6K output and let you output RAW directly over SDI instead of using the XDCA-FX9. Demand for HDR content is increasing and FS5 offers you a choice of two powerful workflows. A Series of Video Tutorials for both ILC and Pro Camcorder. Go for either a Tentacle Sync E or the Ultrasync ONE. If you do prefer or value the addition of all of those fore-mentioned features I listed, then the FX6 does make a lot more sense if you are just doing video. Somy fs5 Timecode input : r/LocationSound - Reddit This is big for shooters who need to use muscle memory and shoot by feel instead of flipping through menus. The FX6 utilizes the same BIONX XR image processor that is found in the a7S III. Camera Audio Settings: On Channel 1, I have selected Input 1 on and on Channel 2 I have selected Input 1 as well. Consider becoming aPatreon supporterand help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. So how does the price compare to some of the competition? The FX6 weighs in at 890g / 31.39oz (body only) which makes it just 60g heavier than the FS5 M2. How to build a Sony FS5 rig for ENG on a budget part 1 I personally have my doubts about whether they will do either of those things. Sensor: Super 35mm Single-Chip 11.6MP Exmor CMOS AC Adapter: 12 VDC Again there is nothing wrong with wanting to capture something in the highest quality possible, but just dont use the future proof argument. Those these features are available as upgrades for the original FS5, they each came with a $500 price tag. Because of the low megapixel count, the sensor readout is extremely fast, and this means that the rolling shutter will be almost non-existent. Yes, Sony did release the full-frame E-mount NEX-VG900way back in 2012, but that was a different kettle of fish. In my opinion, there is no such thing as future proof. For on the go shooters like documentarians, wedding and event videographers and news gathers, the FS5 II is a lightweight choice. Page 19: Attaching The Microphone *S&Q 1-60fps and 100/120fps available in these modes. For wider shooting, the 16-35mm F.2.8 G-Master lens would work well. Lesson 11.1: Sony FS5 Which on m2 has different color science on pp1, but when you shoot slog 2 and raw or any other PP above 7, then the RAW out thru SDI is all the same. You could also compare it to older cameras like the Panasonic EVA1 as well. Along with the two XLR inputs on the camera handle, the camera also has a MI shoe that allows you to attach the Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter. This is the exact same LCD that comes with the FX9. The FX6 isnt a massive departure away from the form factor of the FS5. This is something that we are now slowly starting to see appear on lower priced digital cinema cameras. On the other hand, part of the benefit from the newer S-log3 is its capability to work with more than 14 stops of dynamic range, so its advantages are wasted on cameras with a smaller dynamic range. The camera can go up to ISO 32,000, and even though there is significant noise at that level, the picture integrity is still there and the colors are still true. MPEG HD422 and MPEG HD420 for broadcast applications. The 8-second cache recording means no more mis-timed shots leading to extra takes. A detachable Smart Grip puts all of the FS5s key functions at your fingertips and is easily adjusted with the press of a single button. This is a major problem if you want to run the camera on a gimbal and need to remove the top handle. The grip offers a joystick for menu navigation and, of course, a record button. FS5 offers 9 pre-Programd Picture Profiles, including ones customized for S-Log2, S-Log3, plus a profile tuned to provide vibrant, high contrast visuals for creators who desire a DSLR-style look. Just how well this works with the FX6 will be interesting to see because there isnt any wiggle room for reframing a 4K image given the sensor size. The viewfinder is OLED and, in times where the LCD fell short, it was nice to have another option. Lastly, there is a dial for easy change of the aperture or other controls. ), Slow & Quick Motion and Super Slow Motion Limitations, Camcorder Sony PXW-FS5M2 Operating Manual, Camcorder Sony PXW-FS7 Operating Instructions Manual, Camcorder Sony PXW-FS7M2 Operating Instructions Manual, Camcorder Sony PXW-X400 Instructions Before Use, Page 19: Step 2: Using A Battery Pack Or Ac Adaptor, Page 24: Step 4: Attaching The Handle, Accessory Shoe, Microphone, Lcd Screen, And Grip, Page 31: Step 5: Turning On The Camcorder And Setting The Date And Time, Page 32: Step 6: Adjusting The Lcd Screen And Viewfinder, Page 34: Step 7: Adjusting The Angle Of The Grip, Page 39: Continuous Recording On The Memory Cards (Relay Rec), Page 40: Recording Movies Using Both Memory Card A And B (Simul Rec), Page 43: Using Automatic Focus/Fixed Focus Temporarily (Push Auto Focus/Focus Hold), Page 45: Focusing On A Detected Face (Face Detection), Page 46: Changing The Recording Setting/Image Size, Page 49: Adjusting The Iso Sensitivity/Gain, Page 51: To Adjust The Amount Of Light (Nd Filter), Page 56: Slow & Quick Motion/Super Slow Motion Recording, Page 62: Recording Sound From An External Audio Device, Page 63: Adjusting The Audio Recording Level, Page 66: Downloading "Content Browser Mobile, Page 67: Using A Smartphone As A Camcorder Remote Control, Page 68: Connecting Without Using The Nfc Function (Android), Page 69: Connecting Without Using The Nfc Function (Iphone/Ipad), Page 89: Using The Gamma Display Assist Function, Page 91: Preventing Accidental Operation (Hold Switch), Page 92: Inverting The Lcd Screen Display, Page 96: Changing/Checking The Settings In Your Camcorder, Page 97: Checking The Camcorder Settings (Status Check), Page 99: Selecting Jacks For External Output, Page 111: Preventing Data On A Memory Card From Being Recovered, Page 112: Repairing The Image Database File, Page 149: Warning Indicators And Messages, Page 153: Function Limitations When Recording, Page 154: Slow & Quick Motion And Super Slow Motion Limitations, Page 155: Proxy Recording Supported Formats, Page 158: File/Folder Structure On The Memory Card, Page 161: About Handling Of Your Camcorder. The only concern here that I see is that there is now a lot more competition in the sub $10K category. Just what the actual real-world difference will look like between the FX9 and FX6 will be interesting to see. FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality . Login or Sign Up, Activity Forums Sony Cameras No audio on Sony PXW FS5 Mark ii using a Sennheiser ewG4 lavalier/lapel mic, My Sony FS5 Mark ii is not recording audio when I use my external Sennheiser ew G4 microphone which is connected to the XLR Input 2. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. I am assuming that just like with the a7S III, that you will be able to record to both card slots simultaneously if you want to. By ISO 6,400, the full picture has noise. All you need are SD cards. Back-illuminated sensors offer increased sensitivity and less noise. The grip itself is easy to attach and can be installed with one hand holding the camera and the other the grip. A good proportion of people who were interested in the FX9 have already bought that camera, but it is heavily back-ordered in some places around the world. Above you can see the difference between a standard sensor (on the left), and a back-illuminated sensor on the right. The PXW-FS5 is a more compact and far lighter camera than the PXW-FS7, coming in at only 1.76lbs. Unlike the FX9 which uses two XQD media slots that support simultaneous or relay recording, the FX6 utilizes new CFexpress type A cards. Toating it around the city for hours was no problem. Its really everything that would improve photo-first cameras. This new processor is claimed to be 4x faster than the one that was used in the FS5. Turned out the Sennheiser 3.5mm mini-plug to XLR cable was faulty.My mic is recording again. The picture quality is superb and the form factor is easy to use. If you need higher frame rates than that, youll need a specialty camera. The top handle, microphone holder, and onboard LCD screen look to be very similar to those used on the FS5. The processor is claimed to be able to read the sensor 3x faster than the a7S II and 2x faster than most traditional mirrorless hybrid sensors. The LCD for the PXW-FS5 is the same as the FS7, however unlike with the PXW-FS7 where it felt lightweight and cheap considering the cost of the camera, the LCD fit the smaller form factor better and felt more in line with the value of the camera. The URSA Mini is also cheaper and does shoot 4K 4.6k in fact but has the drawback of weighing about 5lbs and lacks the ease of use of the FS5. ND auto lets you keep your ISO, shutter speed and f-stop locked and then the electronic ND will automatically make adjustments to keep your exposure correct. Raw, 2. It also offers Optical Image Stabilization. Page 28: Attaching The Microphone There are seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style. 12.9 megapixels (total), 10.2 megapixels (effective) back-illuminated CMOS Exmor R 4K sensor. Alister Chapman explains why RAW is a big deal for Sony's PXW-FS5. Some wont take advantage of the ProRes RAW option because the format can currently only be edited in Final Cut Pro X. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. Page 27: Audio Inputs Audio Inputs The camera has a built-in stereo microphone on the handle. The adjustable LCD screen was easily rotated into a storable position. There are several mirrorless cameras that would get you into UHD 4K at less than half the cost of the FS5. 4K is still perfectly acceptable and will still be for quite some time. Sony offers an impressive mirrorless camera lineup, but these cameras have a 30-minute record time limit for video clips, offer only a 1/8 inch audio input and dont include ND filters. FS5 is all about choices. There are actually three different standards of CFexpress cards. This will allow you to understand what kind of low light performance the camera offers. The worst argument I always hear in regards to resolution is that I am future proofing my material. Remotely controlling focus, zoom, rec start/stop, and etc. However I had already tried a combination of the the following with no success: The issue is now resolved. Back at Videomaker world headquarters, we tested the FS5s low light capabilities.
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